Yuja Wang – The Vienna Recital: Dolby Atmos vs. Stereo Comparison

Yuja Wang, a renowned pianist, captivates audiences with her latest album ‘The Vienna Recital’. This blog post delves into the comparison between the stereo and Dolby Atmos versions of the album.


  • The Tidal Max waveform shows a high dynamic range but a notable frequency hole at 10 kHz.
  • The Dolby Atmos mix extends the concert soundstage but lacks the finesse of the stereo version.

Insights on Dynamic Range

The dynamic range comparison between Tidal Max Flac and Tidal Dolby Atmos reveals interesting nuances in audio quality. While the Max waveform excels in dynamic range, the presence of a frequency hole at 10 kHz raises questions among audiophiles.

Comparing Soundstage

The discussion on the Dolby Atmos mix focusing on extending the concert soundstage provides a fresh perspective on the immersive experience for listeners. However, the compromise with Dolby Digital Plus’s lossy format sparks debates on fidelity.

Community Reactions

The community responses range from intrigue to appreciation for Yuja Wang’s performance. Some users interpret the frequency hole as intentional, adding depth to the listening experience, while others highlight the technical differences between stereo and Dolby Atmos.

The exploration of Yuja Wang’s ‘The Vienna Recital’ showcases the evolving landscape of audio formats and the diverse preferences among audiophiles. As music enthusiasts delve deeper into the nuances of sound quality, the debate between stereo and immersive formats continues to shape the listening experience.